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If your sounds are coming from synths or samples already inside your DAW, controlling your bass is even easier.Įdit your synth patches as you work using the built-in filters so that your low end isn’t overwhelming other parts of your song.Īvoid muddiness early by controlling the low frequencies with the tools you have right at the source. Engage it if you’re tracking a particularly bassy source, or if you’re dealing with issues caused by proximity effect. There’s a reason experienced engineers swear by “getting it right the source.” If you start with tracks that already sound good, your mix process will be much smoother.Īvoid muddiness early by controlling the low frequencies with the tools you have right at the source.įor example, you may have noticed some microphones have a switch on them to roll off low frequencies. Your first line of defence against a muddy mix starts before the mix process. Muddiness is caused by too many different sources piling up and masking each other in the critical bass and low mid range areas.

Whether they come from your sample packs, VSTs or microphones, many of your sounds have information in the low frequencies even if they’re not bass instruments. If you’re unsure about the fundamentals, earn more about EQ here.Īll the sounds you use in your DAW session have energy in different parts of the frequency spectrum.

Manage your low end in the stereo fieldĮQ is a big subject in audio production.

In this article I’ll go through the most common causes of a muddy mix and how to avoid them. It’s frustrating-muddy sound means a lack of clarity and definition with poor separation between instruments. One of the most common complaints from people new to mixing is, “my mix sounds muddy.”